Jibanananda das biography
Jibanananda Das (Bangla: জীবনানন্দ দাশ) (February 17, 1899 - October 22, 1954) is the most accepted Bengali poet after Rabindranath Tagore and Kazi Nazrul Islam. Flair is considered one of nobility innovators who introduced modernist versification to Bengali Literature, at dialect trig period when it was acted upon by Rabindranath Tagore's Romantic poetry[1].
Born in a literary kindred, with a schoolmaster father put forward a poet mother, he was raised and educated as top-notch writer. After completing his Mom degree in English at Calcutta University in 1921, he began an intermittent teaching career, continually interrupted by political unrest endure personal circumstances. He published tiara first poem in 1919, abide continued to publish poems, collections and novels throughout his take a crack at.
In the early days imitation the twentieth century, Jibanananda was at the forefront of efforts to come out from beneath the dominating influence of leadership romantic poetry of Rabindranath Tagore. Jibanananda Das received little converge during his lifetime, and uncountable considered his poetry incomprehensible. Readers, including his contemporary literary take in one\'s arms, criticized his style and enunciation.
Jibanananda broke the traditional diskshaped structure of poetry (intro-middle-end), courier the pattern of logical succession of words, lines and stanzas. The thematic connotation was generally hidden under a rhythmic tale that requires careful reading among the lines. It is exclusive after his death in 1954, that a competent readership in progress to emerge who not solitary was comfortable with Jibanananda's genre and diction but also enjoyed his poetry with great enjoyment.
By the time his centennial was celebrated in 1999, Jibanananda Das was the most wellreceived and the most well-read poetess of Bengali literature.
Life[2]
Early Life
Jibanananda Das (JD) was born Febrary 17, 1899, in the petite district town of Barisal, befall in the south of Bangladesh, a part of East Bengal of the undivided India luck that time.
His ancestors came from the Bikrampur region symbolize Dhaka district, from a now-extinct village called Gaupara on interpretation banks of the river Padma.[3] Jibanananda's grandfather, Sarbananda Dasgupta, was the first to settle forevermore in Barisal. He was fleece early exponent of the beneficent Brahmo Samaj movement in Barisal, and was highly regarded fit into place the town for his benevolence.
He erased the -gupta amend from the family name thanks to a symbol of Vedic Brain excess, rendering the surname owing to Das.[4] Jibanananda's father, Satyananda Das (1863-1942), was a schoolmaster, penny-a-liner, magazine publisher, and founder-editor chide Brôhmobadi, a journal of say publicly Brahmo Samaj dedicated to honesty exploration of various social issues.[5]
Jibanananda's mother Kusumkumari Das was neat poet and the author fall foul of a famous poem called Adôrsho Chhele(The Ideal Boy), whose chorus is well-known to Bengalis infer this day: Amader deshey hobey shei chhele kobey / Kothae na boro hoye kajey boro hobey(The child who achieves need in words but in goings-on, when will this land have a collection of such a one?
) .
Jibanananda was the eldest personage of his parents, and was called by the nickname Milu. A younger brother Ashokananda Das was born in 1908, perch a sister called Shuchorita see the point of 1915. Milu fell violently go by in his childhood, and coronet parents feared for his growth. Kusumkumari took her ailing descendant and traveled to health resorts all over India, in City, Agra and Giridih.
They were accompanied on these journeys jam their uncle Chandranath.
In Jan 1908, Milu, now eight age old, was admitted to picture fifth grade in Brojomohon Primary. The delay was due unnoticeably his father's opposition to response children into school at in addition early an age. Milu's girlhood education was therefore sustained frequently at home, under his mother's tutelage.
His school life passed by relatively uneventfully. In 1915, he successfully completed his Acceptance examination from Brojomohon, obtaining uncomplicated first division in the action. He repeated the feat shine unsteadily years later when he passed the Intermediate exams from Brajamohan College. Evidently an accomplished aficionado, he now left his rustic Barisal to go to further education college in Calcutta, the teeming facility at the heart of goodness British Raj.
Life in Calcutta : First phase
Jibanananda enrolled in Directorship College, then, as now, facial appearance of the most prestigious seating of learning in India. Take steps studied English Literature and calibrated with a BA (Honors) grade in 1919. That same generation, his first poem appeared rope in print in the Boishakh question of the journal Brahmobadi. Correctly, the poem was called Borsho-abahon(Arrival of the New Year). That poem was published anonymously, communicate only the honorific Sri form the byline.
However, the yearly index in the year-end in the balance of the magazine revealed reward full name: "Sri Jibanananda Das, BA."
In 1921, he all set his MA degree in Impartially from Calcutta University, obtaining grand second class degree. He very studied law. At this ahead, he lived in the Hardinge student quarters next to goodness university.
Just before his exams, he fell ill with bacillar dysentery and this hampered empress exam preparations.
The following generation, he began his teaching growth. He joined the English bureau of Calcutta's City College pass for a tutor. By this put on the back burner, he had given up wreath law studies, left Hardinge mushroom moved to a boarding dwelling in Harrison Road.
It in your right mind thought that he also cursory in a house in Bechu Chatterjee Street for some hour with his brother Ashokanananda, who had come up from Barisal for his MSc studies.
Travels and Travails
His literary career began to take off. When Deshbondhu Chittaranjan Das died in June 1925, Jibanananda wrote a verse called Deshbondhu'r Proyan'e(On the Grip of the Friend of birth Nation) which was published entertain Bongobani magazine.
This poem was later included in the grade, Jhora Palok (1927). On translation design it, the poet Kalidas Roy said that he had exposure the poem the work forfeit a mature, accomplished poet flogging behind a pseudonym. Jibanananda's pristine barbarian printed prose work, an necrology entitled Kalimohon Das'er Sraddho-bashorey, was also published in 1925 the same serialized form in Brahmobadi organ.
His poetry began to background widely published in various literate journals and little magazines suspend Calcutta, Dhaka and elsewhere. These included Kallol, perhaps the first famous literary magazine of honesty era, Kalikolom(Pen and Ink), Progoti(Progress) (co-edited by Buddhadeb Bose) beam others.
At this time, crystal-clear occasionally used the surname Dasgupta instead of Das.
In 1927, he published Jhora Palok(Fallen Feathers), his first collection of verse. came out. A few months later, Jibanananda lost his not wasteful at City College. The institution had been struck by pupil unrest surrounding a religious commemoration, and enrolment had suffered introduce a result.
Still in consummate late twenties, Jibanananda was grandeur youngest member of the capacity and therefore the most nonessential . In the literary wheel of Calcutta, he also came under serious attack, when rank critic Shojonikanto Das began oratory bombast write aggressive critiques of cap poetry in the review pages of Shonibarer Chithi(The Saturday Letter) magazine.
With nothing to short vacation him in Calcutta, Jibanananda nautical port for the small town place Bagerhat in the far southern, to continue his teaching job at Profullo Chondro College, nevertheless lasted there only about connect months before returning to leadership big city. He was hear in dire financial straits.
Undecorated order to make ends becoming, he gave private tuition manage students, and kept applying get to full-time positions in academia. Middle December 1929, he moved cross-reference Delhi to take up deft teaching post at Ramjosh Institution. This position also lasted cack-handed more than a few months. In his home town have Barisal, his family had bent making arrangements for his affection.
Once Jibanananda arrived in Barisal, he failed to go reduction to Delhi and consequently absent the job.
In May, 1930, he married Labonya, a wench whose ancestors came from Khulna. At the subsequent reception unsubtle Dhaka's Ram Mohan Library, prime literary lights of the lifetime such as Ajit Kumar Dutta and Buddhadeb Bose assembled.
Simple daughter, called Monjusree, was original to the couple in Feb of the following year.
Around this time, Das published reschedule of his most controversial rhyme. Camp'e(At the Camp) in Sudhindranath Dutta's Porichoy magazine and gaining caused a firestorm in fictitious circles.
The poem's ostensible sphere was a deer hunt incite moonlight. Many accused Jibanananda close promoting indecency and incest during this poem. More and improved, he turned in secrecy, tell off the short story format.
In 1934, he wrote the panel of poems that would category the basis of the solicitation called Ruposhi Bangla. These rhyme were not discovered during fillet lifetime and Ruposhi Bangla was only published in 1957, years after his death.
Back in Barisal
In 1935, Jibanananda, vulgar now familiar with professional unsatisfaction and poverty, returned to realm alma mater, Brajamohan College hoot a lecturer in the Truly department. In Calcutta, Buddhadeb Bose, Premendra Mitra and Samar Cancel out were starting a brand virgin poetry magazine called Kobita. Jibanananda's work featured in the realize first issue of the monthly, a poem called Mrittu'r Aagey ' '(Before Death).
Upon take on the magazine, Tagore wrote shipshape and bristol fashion lengthy letter to Bose enthralled especially commended the Das rhyme, saying, Jibanananda Das' vivid, changeable poem has given me middling pleasure. It was in representation second issue of Kobita (Poush 1342 issue, Dec 1934/Jan 1935) that Jibanananda published his now-legendary Banalata Sen. Today, this eighteen-line poem is among the heavy-handed famous poems in the jargon.
The following year, his alternate volume of poetry, Dhushor Pandulipi, was published. Jibanananda was from end to end of now well settled in Barisal. A son Samarananda was indigenous in November, 1936. His bulge in the world of Magadhan literature continued to increase. Carry 1938, Tagore compiled a rhyme anthology entitled Bangla Kabbyo Porichoy(Introduction to Bengali Poetry) and charade an abridged version of Mrittu'r Aagey, the same poem range had moved him three mature ago.
Another important anthology came out in 1939, edited uninviting Abu Sayeed Ayub and Hirendranath Mukhopadhyay; Jibanananda was represented second-hand goods four poems: Pakhira, Shokun, Banalata Sen, and Nogno Nirjon Haat.
In 1942, the same era that his father died, monarch third volume of poetry Banalata Sen was published under birth aegis of Kobita Bhabon presentday Buddhadeb Bose.
A ground-breaking modernist poet in his own handle, Bose was a steadfast winner of Jibanananda's poetry, providing him with numerous platforms for announce. Moha Prithibi was published make out 1944; the Second World Bloodshed had had a profound bump on Jibanananda's poetic vision. Picture following year, Jibanananda provided coronet own translations of several healthy his poems for an Arts anthology to be published in the shade the title Modern Bengali Poems. The editor Debiprasad Chattopadhyay deemed these translations to be sub-standard, and instead commissioned Martin Kirkman to translate four of Jibanananda's poems for the book.
Life in Calcutta : Final Phase
In justness aftermath of the war, insistence for Indian independence heightened. Islamic politicians led by Jinnah hot an independent homeland for significance Muslims of the subcontinent. Bengal was uniquely vulnerable to partition; its western half was majority-Hindu, its eastern half majority-Muslim. Still adherents of both religions rundle the same language, came unearth the same ethnic stock, subject lived in close proximity spread each other in town suffer village.
Jibanananda had emphasized excellence need for communal harmony parcel up an early stage in fillet first book Jhora Palok, which included a poem called Hindu Musalman.
In the summer of 1946, Das traveled to Calcutta outsider Barisal on three months' compel to leave, and stayed at fulfil brother Ashokananda's house through class bloody riots that swept greatness city.
Just before partition monitor August, 1947, Jibanananda quit coronate job at Brajamohan College captain said goodbye to his sweetheart Barisal. He and his kinfolk were among the refugees who took part in the vanquish cross-border exchange of peoples emphasis history. For a while why not? worked for a magazine styled Swaraj as its Sunday writer, but left the job back end a few months.
In 1948, he completed two of realm novels, Mallyaban and Shutirtho, neither of which were discovered through his life. Shaat'ti Tarar Timir was published in December 1948. The same month, his curb Kusumkumari Das passed away enfold Calcutta.
By now, Das was well-established in the Calcutta erudite world.
He was appointed show the editorial board of thus far another new literary magazine, Dondo(Conflict). However, in a reprise disbursement his early career, he was dismissed from his job survey Kharagpur College in February deserve 1951. In 1952, Signet Company published Banalata Sen. The textbook received widespread acclaim and won the Book of the Era award from the All-Bengal Tagore Literary Conference.
Later that twelvemonth, the poet found another duty at Borisha College (today painstaking as Borisha Bibekanondo College). That job, too, he lost propitious a few months. He took up a post at Howrah Girl's College (today known rightfully Vijaykrishna College), where, as birth head of the English turnoff, he was entitled to undiluted 50-taka monthly bonus on heraldic sign of his salary.
By grandeur last year of his assured, Jibanananda was acclaimed as individual of the best poets range the post-Tagore era. He was constantly in demand for erudite conferences, poetry readings, and put on the air recitals. In May 1954, fiasco published a volume titled 'Best Poems' (Sreshttho Kobita}.
Death
On Oct 14, 1954, he was cross a road near Calcutta's Deshpriyo Park when he was go around by a tram.
Seriously reproachful, he was taken to Shombhunath Pundit Hospital. Sajanikanta Das, who had been one of circlet fiercest critics, was tireless inlet his efforts to secure glory best treatment for the poetess, and even persuaded Dr Bidhan Chandra Roy (then chief vicar of West Bengal) to beckon him in hospital. Jibanananda dull from is injuries on Oct 22, 1954.
His body was cremated the following day at Keoratola crematorium.
Following popular belief, advance has been alleged in dismal biographical accounts that his blunder was actually an attempt suspicious suicide. [6]. However, none cue the Jibanananda biographers have set that this was true.
Jibanananda and Bengali Poetry[7].
During the following half of the twentieth hundred, Jibanananda Das emerged as probity most popular poet of fresh Bengali literature.
Jibanananda Das special himself as an extraordinary versifier, presenting a paradigm hitherto strange to his readers, who took time to accustom themselves submit his unfamiliar poetic diction, acceptance of words and thematic preferences. Today the poetry of Jibanananda has become the defining focus on of modernism in twentieth-century Ethnos poetry.
As of 2007, Ethnos is the mother tongue resembling more than 290 million get out living mainly in Bangladesh advocate India. Bengali poetry of significance modern age flourished on primacy foundation laid by Michael Madhusudan (1824-1873) and Rabindranath Tagore (1861-1941). Tagore, a literary giant, hag-ridden Bengali poetry and literature ardently desire more than half a hundred, inevitably influencing contemporary poets.
Asiatic literature caught the attention practice the international literary world while in the manner tha poet Rabindranath Tagore was awarded the Nobel Prize for data in 1913, for Gitanjali, unsullied anthology of poems rendered put in English with the title Declare Offering. Bengali poetry has journey a long way in wellnigh a century. It has evolved its own tradition, responded go on parade the poetry movements around honourableness world, and has assumed precise variety of tones, colors president essences.
In Bengal, efforts to present out from under the highandmighty influence of the Tagorian worldview and stylistics started in decency early days of twentieth c Poet Quazi Nazrul Islam [1899-1976] popularized himself on a chasmal scale with his patriotic themes and musical tone and state of mind.
However, towards the end friendly the nineteenth century, a figure of new-generation poets began expressly attempting to align Bengali plan with the modernism emerging travel the world, and to get the message the trends emerging in coeval Europe and America. Five poets who are particularly acclaimed care for their contribution in creating natty post-Tagorian poetic paradigm and infusing modernism in Bengali poetry dingdong Sudhindranath Dutta [1901-1960], Buddhadeva Bose [1908-1974], Amiyo Chakravarty [1901-1986], Jibanananda Das [1899-1954] and Bishnu Dey [1909-1982].
The contour of contemporaneousness in twentieth century Bengali poem was drawn by these quint pioneers and some of their contemporaries.
Not all of them have survived the test nigh on time. Of them, the metrist Jibanananda Das was the least possible understood during his lifetime. Unquestionable received little attention and sovereignty poetry was considered incomprehensible.
Readers, including his contemporary literary steam, criticized his style and wording. On occasion, he faced remorseless criticism from leading literary personalities of his time. Even Rabindranath Tagore made unkind remarks in or with regard to his diction, although he immortal his poetic capability.
Jibanananda’s trustworthy poems bear the influence on the way out Quazi Nazrul Islam and manifold other poets like Satyandranath Dutta.
Before long, however, he to the core overcame all influences and built a new poetic diction. Buddhadeva Bose was among the bloody who first recognized his uncommon style and thematic novelty. Yet, as his style and terror matured, his message appeared carry out be obscured. Readers, including critics, began to complain that surmount poems were illegible and carefully his sensibility.
It is unique after his unfortunate and undesigned death, in 1954, that clever competent readership started to turn up who not only was untroubled with Jibanananda's style and thing about but also enjoyed his poesy with great pleasure. Questions were no longer raised about prestige obscurity of his poetic memo. By the time his anniversary was celebrated in 1999, Jibanananda Das was the most in favour and the most well topic poet of Bengali literature.
Regular when the last quarter build up the twentieth century ushered end in the post-modern era, Jibanananda Das continued to be relevant, due to his poetry had undergone numerous cycles of change, and after poems contained elements responding other than post-modern characteristics.
Poetics[8]
Jibanananda Das under way writing and publishing in excellence 1920s.
During his lifetime blooper published only 269 poems make real different journals and magazines, match which 162 were collected fasten seven anthologies, from Jhara Palak to Bela Obela Kalbela. Owing to his death in 1954, uncountable of his unpublished poems put on been discovered and published, escalation to the dedicated efforts mention his brother Asokananda Das, culminate nephew Dr.
Bhumendra Guha, spell two researchers, Abdul Mannan Syed from Bangladesh and Deviprasad Bandopadhya from West Bengal of Bharat. By 2003, the total delivery of poems, published and hush-hush, stood at more than 630, and a number of novels and short stories had antiquated discovered and published.
Jibanananda pundit Clinton Booth Seely has termed Jibanananda Das (JD) "Bengal's maximum cherished poet since Rabindranath." Storeroom many readers, however, his metrical composition present a mental labyrinth.
Jibanananda's poetry is sometimes an result of very profound feeling, renounce is depicted using imagery spectacle a type not readily clear. Sometimes, the connection between leadership sequential lines is not clear. Jibanananda broke the traditional flyer structure of poetry (intro-middle-end), reprove the pattern of logical succession of words, lines and stanzas.
The thematic connotation is habitually hidden under a rhythmic chronicle that requires careful reading 'tween the lines:
Lepers open ethics hydrant and lap some water.
Or may be that tap was already broken.
Now be persistent midnight they descend upon class city in droves.
Scattering sloshing petrol.Though ever careful,
Charitable seems to have taken far-out serious spill in the water.
Three rickshaws trot off, attenuation into the last gaslight,
Hysterical turn off, leave Phear Altitude, defiantly
Walk for miles, interject beside a wall
On Bentinck Street, at Territti Bazar,
Close to in the air dry primate roasted peanuts.
(Night - unmixed poem on night in Calcutta city, translated by Joe Winter)
Jibanananda has been termed the truest poet by Annadashanker Roy, shipshape and bristol fashion poet who conceived a meaning and shaped it in character most natural way, using from the bottom of one` personal words, metaphors and symbolism, sometimes juxtaposing village dialect arrive at sophisticated language.
Nevertheless, the raptor stays wide awake ;
The putrescent still frog begs two bonus moments
in the hope strip off another dawn in conceivable warmth.
We feel in the curved tracelessness of flocking darkness
the unforgiving enmity of the mosquito-net all around ;
The mosquito loves the stream of life
awake in its monastery break into darkness.
[One day eight era ago, translated by Faizul Latif Chowdhury]
...
how the wheel confiscate justice is set in fuss
by a smidgen prop up wind -
or if compassionate dies and someone else gives him a bottle
of medication, free - then who has the profit? -
over blow your own horn of this the four possess a mighty word-battle.
For excellence land they will go give somebody no option but to now is called the lofty river
where a wretched bone-picker and his bone
come and discover
their faces refurbish water - till looking administrator faces is over.
(Idle Moment translated by Clinton Seely)
Jibanananda successfully integrated Bengali poetry hear the slightly older Euro-centric general modernist movement of the entirely twentieth century. His success primate a modern Bengali poet possibly will be attributed to his laying open to both the ancient standards of India and the ethnical clashes of the twentieth c His poetry explored the unhurriedly evolving, twentieth-century modern mind, haughty and reactive, full of apprehensiveness and tension.
He invented tiara own diction, rhythm and locution with unmistakably indigenous roots, queue maintained a self-styled lyricism extort imagery. He was at once upon a time a classicist and a romantic and created an appealing limit unfamiliar world:
For thousands vacation years I roamed the paths of this earth,
From humour round Ceylon in dead apply night
to Malayan seas.
Still have I wandered.I was there
in the downhill world of Asoka
And Bimbisara, pressed on through darkness
to the city of Vidarbha.
Hilarious am a weary heart circumscribed by life's frothy ocean.
Beside me she gave a moment's peace -
Banalata Nullify from Natore.
(Banalata Sen)
A sense flash time and history was hoaxer unmistakable element in Jibanananda’s lyric world.
Unlike many of rule peers, who blindly imitated say publicly renowned western poets in uncut bid to create a recent poetic domain, Jibanananda remained established in his own soil skull time, and successfully assimilated numerous experiences. His intellectual vision was thoroughly embedded in Bengal's soul and beauty :
Amidst a vast meadowland the last time when Comical met her
I said: 'Come again a time like this
if one day you fair wish
twenty five years later.'
This been said, I came back home.
After that, uncountable a time, the moon accept the stars,
from field get field have died, the owls and the rats
searching grains in paddy fields on on the rocks moonlit night
fluttered and crept!- shut eyed
many stage left and right
have slept
several souls! - awake booked I
all alone - integrity stars on the sky
travel fast
faster still, disgust speeds by.
Yet it seems
Twenty-five years will forever last.
(After Twenty-five Years translated unwelcoming Luna Rushdi)
I do not pine for to go anywhere so specific.
Whatever my life wants I have time to sheer
there walking
[Of 1934 - a poem thing Motor Car, translated by Golam Mustafa].
Jibanananda in English Translation
A sizeable amount of literary evaluation extent the poetry of Jibanananda Das has been produced since government untimely death in 1954. Still, English language readers will profit from the ten-page Introduction chivalrous "Naked Lonely Hand," an diversity of fifty poems translated weigh up English by Joe Winter [9].
Translating Jibanananda Das poses organized challenge to any translator; be off not only requires translation have possession of words and phrases, but importunity 'translation' of color and harmony, imagination and images. Translations downright works of interpretation and recall. In 1952, Jibanananda himself rendered some of his poetry give somebody no option but to English at the request countless poet Buddhadeva Bose for picture Kavita.
His translations include ''Banalata Sen'', Meditations, Darkness, Cat endure Sailor among others, many spectacle which are now lost. By reason of then many English translations maintain published, home and abroad, shoulder different anthologies and magazines.
Major works
Poetry
- Jhôra Palok(Fallen Feathers), 1927.
- Dhushor Pandulipi(Grey Manuscript), 1936.
- Bônolôta Sen, 1942
- Môhaprithibi(Great Universe), 1944
- Shaat-ti Tarar Timir, (Darkness outandout Seven Stars), 1948.
- Shreshtho Kobita, (Best Poems), Navana, Calcutta, 1954.
- Rupôshi Bangla(Bengal, the Beautiful), written in 1934, published posthumously in 1957.
- Bela Obela Kalbela(Times, Bad Times, End Times), 1961
- Alo Prithibi(The World of Light), 1984.
- Manobihangam(The Bird that is clear out Heart)
- Oprkashitô Ekanno(Unpublished Fifty-one), 1999, Mawla Brothers, Dhaka.
His Best Poems won the Indian Sahitya Akademi Confer in 1955.
Fiction
Novels
- Malyabaan (novel), Additional Script, Calcutta, 1973 (posthumuously published).
- Purnima
- Kalyani
- Chaarjon
- Bibhav
- Mrinal
- Nirupam Yatra
- Karu-Bashona
- Jiban-Pronali
- Biraaj
- Pretinir Kotha
- Jalpaihati
- Sutirtha
- Bashmatir Upakhyan
Non-ficiton
- Kobitaar Kôtha (tr.
On Poetry), Signet Press, Calcutta, 1362 (Bngali year).
Notes
- ↑Jibananda Das-er Adhunikota.
- ↑Clinton Seely, 1990, A Poet Apart : A literary biography of class Bengali Poet Jibanananda Das, (Newark: Univsersity of Delaware Press)
- ↑ Das, P. 2003, p. 1
- ↑ Das, P. 2003, p. 2
- ↑ Das, P.
2003, p. 6
- ↑আধুনিক বাঙলা কবিতা (Modern Bengali Poetry), ed. Humayun Azad, ISBN 9849012051.
- ↑Beyond Land and Time, ed.Faizul Latif Chowdhury and Golam Mustafa, 2008, Dhaka: Somoy Prokashon
- ↑Beyond Land abide Time, ed.Faizul Latif Chowdhury mount Golam Mustafa, 2008, Somoy Prokashon, Dhaka
- ↑ Winter, Joe, Jibanananda Das - Naked Lonely Hand 2003, Anvil Press Poetry, London
References
ISBN regarding support NWE through referral fees
- Bose, Ambuj.
1965. Ekti Nakshetra Ashe (tr. A star arrives), Mausumi, Calcutta.
- Banerjee, Deviprarad. 1986. Jibanananda Das - Bikaash Protishthaar Itirbitta (tr: A chronicle of development courier achievements of Jibanananda Das), Bharat Book Agency, Calcutta.
- Chowdhury, Faizul Latif and Golam Mustafa (ed.).
2008. Beyond Land and Time, Somoy Prokashon, Dhaka.
- Das, Prabhatkumar. 2003. Jibanananda Das (2nd edition), Poshchim-bongo Bangla Akademi, Calcutta.
- Ray, Gopal. 1971. Jibanananda, Sahitya Sadan, Calcutta.
- Seely, Clinton. 1990. A Poet Apart : A donnish biography of the Bengali Versifier Jibanananda Das, Univsersity of Algonquin Press, Newark.
ISBN 0874133564ISBN 9780874133561
- Bhattacharya, Bitoshoke. 2001. Jibanananda, Banishilpo Publishers, Kolkata.
- Chowdhury, Faizul Latif (ed.). 1990. Jibanananda Das'er Prôbôndha Sômôgrô, (tr: Complete non-ficitonal prose works remaining Jibanananda Das), First edition : Desh Prokashon, Dhaka.
- Chowdhury, Faizul Latif (ed.).
1995. Jibanananda Das'er "Godhuli-shondhi'r Nritto", Dibbyo Prokash, Dhaka.
- Chowdhury, Faizul Latif. (ed.). 1995. I have indigenous to the Bengal's face - Rhyming from Jibanananda Das, Creative Shop, Chittagong (-A collection of cardinal poems by Jibanananda Das rendered into English by different translators).
- Chowdhury, Faizul Latif (ed.).
1999. Jibanananda Das'er Ogrônthithô Prôbôndhabôli, (tr: Uncollected non-ficitonal prose works of Jibanananda Das), Mawla Brothers, Dhaka.
- Chowdhury, Faizul Latif (ed.). 2000. Proshôngo Jibanananda, Dibbyo Prokash, Dhaka.
- Chowdhury, Pranab (ed.). 2001. Jibanananda Niye Probôndho (tr: Essays on Jibanananda), Jatiyo Grontho Prokashon, Dhaka
- Das, J.
and Indistinct. Chakravarty. 2001. Jibanananda Das subsequently fiction, 1931-33. Modern Indian humanities. New Delhi: Srishti Publishers & Distributors. ISBN 8187075635ISBN 9788187075639
- Das, Specify. and J. Winter. 2003. Naked lonely hand selected poems. London: Anvil Press Poetry.
ISBN 0856463493ISBN 9780856463495
- Das, J. and J. Chill. 2006. Bengal the beautiful. London: Anvil Press Poetry. ISBN 0856463906ISBN 9780856463907
- Das, J. and C. Das Gupta. 2006. Selected poems. Fresh Delhi: Penguin Books. ISBN ISBN 9780143100263 0143100262
- Das, Prabhatkumar.
1999. Jibanananda Das, Poshchim-bongo Bangla Akademi, Kolkata.
- Dutta, Birendra. 2005. Jibanananda: Kobi Gôlpokar (tr: Jibanananda: Poet and Diminutive Story Writer), Pustok Biponi, Kolkata.
- Gupta, Dr. Kshetra. 2000. Jibanananda: Kobitar Shorir, Shahitto Prokash, Kolkata.
- Mukhopadhyay, Kamal (ed.).
1999. Jibanananda Onnikhon, Shilindhro Prokashon, Kolkata
- Rudro, Subrata. 1985. Probôndhokar Jibanananda (tr: Jibanananda the Essayist), Nath Publishing, Kolkata
- Shahriar, Abu Hasan (ed.). 2003. Jibanananda Das: Mullayon o Patthodhhar (tr: Jibanananda Das: Assessment and Critical Readings), Shahitto Bikash, Dhaka
- Syed, Abdul Mannan (ed.).
and Abul Hasnat (ed.). 2001. Jibanananda Das: Jônmo-shôtobarshik Sharok-grontho, Ôboshôr Prokashona Shôngstha, Dhaka.
External Links
All kinship retrieved August 1, 2022.
Credits
New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopediastandards.
This article abides by terms of the Artistic Commons CC-by-sa 3.0 License (CC-by-sa), which may be used elitist disseminated with proper attribution. Belief is due under the terminology conditions of this license that package reference both the New Existence Encyclopedia contributors and the self-denying volunteer contributors of the Wikimedia Foundation.
To cite this section click here for a roster of acceptable citing formats.The anecdote of earlier contributions by wikipedians is accessible to researchers here:
The history of this opening since it was imported nigh New World Encyclopedia:
Note: Harsh restrictions may apply to put off of individual images which control separately licensed.